New Order: The myth-makers
This year’s edition of Future Music Festival boasts the kind of line-up to make fans sick with anticipation – a seemingly endless list of colossal names spanning many genres and generations. But none of them could be bigger than New Order, not only because of their history dating back 35 years to the dawn of the post-punk era, but because of the sheer primal influence they’ve had on so many of today’s acts – from co-headliners like Friendly Fires and The Rapture to everyone on the DFA stage.
New Order didn’t just make the world safe for a marriage of rock and electronics. Their sound, somehow both elementary and impenetrable, both otherworldly and pop, has an unparalleled timeless quality, in part due to bandleader and songwriter Bernard Sumner’s almost neurotic avoidance of convention and cliché. Refusing to play with the pop marketing machine for all this time hasn’t hurt either. The much more recent work of fellow Mancunians Oasis – just to pick on one example – sounds dated by comparison, or at least tied to a definite era; but New Order seem to occupy their own space and time. Thus each generation of fans discovers their work almost as if it was contemporary.
Guitarist Phil Cunningham would probably count as one of those fans. A former member of Britpop group Marion, and a relative youngster compared to his 50-something bandmates, Cunningham joined New Order’s touring lineup after keyboardist Gillian Gilbert left in 2001. When founding bassist Peter Hook split with the group acrimoniously in 2007, Sumner and drummer Stephen Morris formed a new band, Bad Lieutenant, with Cunningham and bassist Tom Chapman.
Last year, after much speculation – and even more back-and-forth between Hook and the others in the press – New Order reunited, with Gilbert back in the fold, and Chapman replacing Hook on bass. In the past few months they’ve played a series of one-off gigs both at home in England and on the continent to a lot of fanfare, and are now preparing for a world tour.
Cunningham recently took time out from rehearsals on a snowy winter’s day to talk to us about the upcoming tour. Despite his ‘newbie’ status in this iconic band, Cunningham has been around the block a few times. But he comes across as a very friendly, unpretentious bloke from Macclesfield who seems unfazed by it all as he relates what it’s like to take on a legend.
What are you working on at the moment?
I’m just sat by really warm fire – we’ve got snow and blizzards outside; it’s probably the exact opposite to where you are. We’ve just been rehearsing up at Steve’s [drummer Stephen Morris] – he’s got a farm just outside Macclesfield, and we’ve been rehearsing there all day. We’re just getting the set ready to come out to Australia and play – I can’t wait.
Is the farm where you always rehearse?
It is, yeah – that’s where the studio is, we record and rehearse up there, and we’re just getting the set together. But everyone’s in hibernation mode at the moment cause it’s been so cold here; we’re looking forward to coming out there!
Does working in a more remote place like that influence the way you play or write music?
I think it does, yeah, because you’re kind of isolated and you can focus on it. I think it’s good for us too, because there’s no distractions – if you want to go to a pub and have a drink you’ve literally got to drive 20 or 30 minutes to get to a little bit of civilisation.
It’s good, we’ve just been getting a few of the more-obscure New Order songs into the set – because we’ve got a couple of [sideshows] in Australia, where we’ll be able to play a longer set than at the festival. It’s a little bit of experimenting – putting in some stuff we haven’t played before. It’s exciting, rediscovering some of the old tunes.